Alfreds, M. (2007) Different every night: freeing the actor. London: Nick Hern. Available at: http://bangor.eblib.com/patron/FullRecord.aspx?p=1171286.
Bella Merlin (no date) The Complete Stanislavsky Toolkit. Nick Hern Books. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=1725505.
Bernard, I. (1998) Film and television acting: from stage to screen. 2nd ed. Boston: Focal Press.
Berry, C. (1973) Voice and the actor. London: Harrap.
Brook, P. (1990) The empty space. Harmondsworth, Middlesex, Eng: Penguin Books.
Caine, M. (1997) Acting in film: an actor’s take on movie making. Rev. expanded ed. New York: Applause Theatre Books.
Caldarone, M., Lloyd-Williams, M. and Johnson, T. (2004) Actions: the actors’ thesaurus. London: Nick Hern. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=5149866.
Chekhov, A.P., Worrall, N. and Frayn, M. (2002) The seagull. London: Methuen Drama.
Chekhov, M. (2014) To the actor: on the technique of acting. Mansfield Centre, CT: Martino Publishing. Available at: http://bangor.eblib.com/patron/FullRecord.aspx?p=1433538.
Churcher, M. (2003) Acting for film: truth 24 times a second. London: Virgin Books.
Coen, E. et al. (2010) ‘The big Lebowski’. [United States]: Universal.
Coppola, F.F., Puzo, M., et al. (1997) ‘The godfather’. [London?]: Paramount Pictures.
Coppola, F.F., Pacino, A., et al. (1997) ‘The godfather: Part II’. [London?]: Paramount Pictures.
Daldry, S. et al. (2003) ‘The hours’. [London?]: Buena Vista Home Entertainment.
David Edgar (2009) How plays work. London: Nick Hern. Available at: http://bangor.eblib.com/patron/FullRecord.aspx?p=1052808.
De Niro, R. and Scorsese, M. (2007) ‘Taxi driver’. London: Sony Pictures Home Entertainment.
Haase, C. (2003) Acting for film. New York: Allworth Press. Available at: http://bangor.eblib.com/patron/FullRecord.aspx?p=1052543.
Hope, T. et al. (2004) ‘American splendor’. London: Optimum Home Entertainment.
Ibsen, H., Sharp, R.F. and Aveling, E.M. (1929) A doll’s house: and two other plays. London: J.M. Dent.
Johnstone, K. (2007) Impro: improvisation and the theatre. London: Methuen Drama. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=1075054.
Kristin Linklater (no date) Freeing the Natural Voice. Nick Hern Books.
Lee, S., Aiello, D. and Davis, O. (2005) ‘Do the right thing’. Universal City, CA: Universal City Studios.
Lovell, A. and Krämer, P. (1999) Screen acting. London: Routledge.
Mamet, D. (1998) True and false: heresy and common sense for the actor. London: Faber.
McDowall, A. (2015) Pomona. London: Bloomsbury.
Mitchell, K. (2009) The director’s craft: a handbook for the theatre. New York, NY: Routledge. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=1433538.
Moseley, N. (2012) Meisner in practice: a guide for actors, directors and teachers. London: Nick Hern Books.
Newlove, J. (no date) Laban for actors and dancers: putting Laban’s movement theory into practice : a step-by-step guide. London: Nick Hern Books.
Owen, G. (2010) Mrs. Reynolds and the ruffian. 1. ed. London: Oberon Books. Available at: http://ebookcentral.proquest.com/lib/bangor/detail.action?docID=1623706.
Owen, G. and Royal Court Theatre (2015) Violence and son. London: Oberon Books.
Pinter, H. (1991) The caretaker. London: Faber and Faber.
Potter, N. (2002) Movement for actors. New York, N.Y.: Allworth Communications.
Puzo, M. et al. (2004) ‘The Godfather: Part 111’. Hollywood: Paramount Pictures.
Shakespeare, W. and Orgel, S. (2008) The tempest. Oxford: Oxford University Press. Available at: http://ebookcentral.proquest.com/lib/bangor/detail.action?docID=1169414.
Snow, J. and Royal Academy of Dramatic Art (Great Britain) (2012) Movement training for actors. London: Methuen Drama.
Sudol, J. (no date) Acting: face to face : the actors guide to understanding how your face communicates emotion for TV & film. [Place of publication not identified]: [Createspace].
Tufnell, M. and Crickmay, C. (1993) Body, space, image: notes towards improvisation and performance. London: Dance Books.
Tufnell, M. and Crickmay, C.L. (2004) A widening field: journeys in body and imagination. Alton: Dance.
Weston, J. (1996) Directing actors: creating memorable performances for film and television. Studio City, CA: M. Wiese Productions.
Wojcik, P.R. (2004) Movie acting, the film reader. London: Routledge.
