Abbott, S. (2010) The cult TV book. London: I.B. Tauris.
Albrecht, M.M. (2017) Masculinity in contemporary television. Abingdon : $$  Routledge.
Allen, R.C. (1992) Channels of Discourse, Reassembled: television and contemporary criticism. second edition. Oxon: Routeledge.
Allen, R.C. and Hill, A. (2004) The television studies reader. London: Routledge.
Bennett, J. and Strange, N. (2014) Media Independence: Working with Freedom or Working for Free? Florence: Taylor and Francis. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=1864800.
Bigsby, C.W.E. (2013) Viewing America: Twenty-First-Century Television Drama. New York: Cambridge University Press.
Brunsdon, C. (1990) ‘Problems with quality’, Screen, 31(1), pp. 67–90. Available at: https://doi.org/10.1093/screen/31.1.67.
Christian, A.J. (2018) Open TV: innovation beyond Hollywood and the rise of web television. New York: New York University Press. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=4834298.
Creeber, G. (2006) Tele-visions: an introduction to studying television. London: BFI.
Curtin, M., Shattuc, J., and British Film Institute (2009) The American television industry. Basingstoke: Palgrave Macmillan on behalf of the British Film Institute.
Edgerton, G.R. (2013) The Sopranos. Detroit, Michigan: Wayne State University Press. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=3416486.
Garner, R.P. (2016) ‘"The Series That Changed Television”?: Twin Peaks, "Classic” Status, and Temporal Capital’, Cinema Journal, 55(3), pp. 137–142. Available at: https://doi.org/10.1353/cj.2016.0020.
Gray, H. (no date) Watching race: television and the struggle for blackness. Minneapolis: University of Minnesota Press.
Halskov, A. (2015) TV peaks: Twin Peaks and modern television drama. First edition. Odense M: University Press of Southern Denmark.
Harris, G. (2006) Beyond representation: television drama and the politics and aesthetics of identity. Manchester: Manchester University Press.
Hayes, M.C. and Boulegue, F. (eds) (2013) Twin Peaks. Bristol: Intellect.
Hilmes, M. (2014) Only Connect: A Cultural History of Broadcasting in the United States. 4th edition. United Kingdom: Wadsworth Cengage Learning.
Jancovich, M. and Lyons, J. (2003) Quality popular television: cult TV, the industry and fans. London: British Film Institute.
Jaramillo, D.L. (2013) ‘AMC: Stumbling toward a new television canon’, Television & New Media, 14(2), pp. 167–183. Available at: https://doi.org/10.1177/1527476412442105.
Kaklamanidou, B. and Tally, M. (eds) (2017) Politics and politicians in contemporary U.S. television: Washington as fiction. New York: Routledge.
Kennedy, L. and Shapiro, S.A. (2012) The Wire: Race, Class, and Genre. Ann Arbor: University of Michigan Press.
Lavery, D. (1995) Full of secrets: critical approaches to Twin Peaks. Detroit: Wayne State University Press.
Lavery, D. (2010) The essential cult TV reader. Lexington, Ky: University Press of Kentucky. Available at: https://muse-jhu-edu.ezproxy.bangor.ac.uk/book/37209.
Lavery, D., Howard, D.L. and Levinson, P. (2011) The essential Sopranos reader. Lexington: The University Press of Kentucky.
Lotz, A.D. (2014) The television will be revolutionized. Second edition. New York: New York University Press.
Martin, B. (2014) Difficult men: behind the scenes of a creative revolution: from The Sopranos and The wire to Mad men and Breaking bad. New York: Penguin Books.
McCabe, J. and Akass, K. (2007) Quality TV: contemporary American television and beyond. London: I.B. Tauris.
McDonald, K. and Smith-Rowsey, D. (eds) (2016) The Netflix Effect: Technology and Entertainment in the 21st Century. 1st Edition. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc.
Mullen, M.G. (2003) The rise of cable programming in the United States: revolution or evolution? 1st ed. Austin, Tex: University of Texas Press.
Newman, M.Z. and Levine, E. (2012) Legitimating Television: Media Convergence and Cultural Status. Oxon: Routledge.
Potter, T. and Marshall, C.W. (2009) The Wire: urban decay and American television. New York: Continuum.
Sterling, C.H. and Kittross, J.M. (2002) Stay Tuned: A History of American Broadcasting. Third edition. New York: Routledge Taylor & Franic Group.
Stoddart, Scott F. and Stoddart, Scott Frederick (no date) Analyzing Mad Men: critical essays on the television series. Jefferson, N.C.: McFarland & Company. Available at: http://ebookcentral.proquest.com/lib/bangor/detail.action?docID=765168.
Thompson, R.J. (1997) Television’s second golden age: from Hill Street blues to ER : Hill Street blues, Thirtysomething, St. Elsewhere, China Beach, Cagney & Lacey, Twin Peaks, Moonlighting, Northern exposure, L.A. law, Picket fences, with brief reflections on Homicide, NYPD blue & Chicago hope, and other quality dramas. Syracuse, N.Y.: Syracuse University Press.
Villarejo, A. (no date) ‘Jewish, Queer-ish, Trans, and Completely Revolutionary: Jill Soloway’s Transparent and the New Television’, Film Quarterly, 69(4). Available at: https://filmquarterly.org/2016/06/15/jewish-queer-ish-trans-and-completely-revolutionary-jill-soloways-transparent-and-the-new-television/.
Williams, L. (2014) On the Wire. Durham: Duke University Press.
Wroot, J. and Willis, A. (2017) Cult Media: Re-Packaged, Re-released and Restored. Cham: Palgrave Macmillan US. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=5115870.