Bibliography for Reading Myth BETA

A new companion to Milton (2016). Hoboken, NJ: John Wiley & Sons Inc.

Ambrosetti, R.J. (no date) Eric Ambler. New York: Twayne Publishers.

Annas, J. (2003) Plato: a very short introduction. Oxford: Oxford University Press.

Armstrong, K. (2006) A short history of myth. Edinburgh: Canongate.

Atwood, M. (2007) The Penelopiad. London: Faber and Faber.

Baldwin, A.P. and Hutton, S. (1994) Platonism and the English imagination. Cambridge: Cambridge University Press.

Ballaster, R. (2005) Fabulous orients: fictions of the East in England, 1662-1785. Oxford: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=422507.

Barroll, J.L., University of Cincinnati, and Vanderbilt University (no date) ‘Shakespeare studies’.

Bartel, H. and Simon, A. (2010) Unbinding Medea: interdisciplinary approaches to a classical myth from antiquity to the 21st century. London: Legenda.

Bates, C. (2010a) The Cambridge companion to the epic. Cambridge, UK: Cambridge University Press. Available at: https://doi.org/10.1017/CCOL9780521880947.

Bates, C. (2010b) The Cambridge companion to the epic. Cambridge, UK: Cambridge University Press. Available at: https://doi.org/10.1017/CCOL9780521880947.

Beadle, R. and Fletcher, A.J. (2008) The Cambridge companion to medieval English theatre. 2nd ed. Cambridge, UK: Cambridge University Press. Available at: https://ezproxy.bangor.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521864008.

Bede Scott (2011) ‘Journal of Modern Literature’, 34(3), pp. 128–148. Available at: https://www.jstor.org/journal/jmodelite.

Beissinger, M.H., Tylus, J. and Wofford, S.L. (1999) Epic traditions in the contemporary world: the poetics of community. Berkeley: University of California Press.

Berry, E.I. (2001) Shakespeare and the hunt: a cultural and social study. Cambridge: Cambridge University Press.

Bloom, H. (1988) T.S. Eliot’s Murder in the cathedral. New York: Chelsea House Publishers.

Bloom, H. (2003a) Euripides: comprehensive research and study guide. Philadelphia: Chelsea House Publishers.

Bloom, H. (2003b) Euripides: comprehensive research and study guide. Philadelphia: Chelsea House Publishers.

Bloom, H. and Hobby, B. (2009) The American dream. New York, NY: Bloom’s Literary Criticism.

Boyle, A.J. (1997) Tragic Seneca: an essay in the theatrical tradition. London: Routledge. Available at: http://Bangor.eblib.com/patron/FullRecord.aspx?p=178591.

Bradford, R. and EBSCOhost (2001) The complete critical guide to John Milton. London: Routledge. Available at: https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=583880.

Brady, J. (no date) ‘Wish-fulfillment fantasies in Dryden’s Aureng-Zebe.’, Philological Quarterly, 83(1 Winter 2004). Available at: https://www.proquest.com/docview/211147157/8D0AB1DE38AE48EAPQ/1?accountid=14874.

Briscoe, M.G. and Coldewey, J.C. (1989) Contexts for early English drama. Bloomington: Indiana University Press.

Brown, A. (1983a) A new companion to Greek tragedy. London: Croom Helm. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=1762034.

Brown, A. (1983b) A new companion to Greek tragedy. London: Croom Helm. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=1762034.

Brown, C.C. (1985) John Milton’s aristocratic entertainments. Cambridge [Cambridgeshire]: Cambridge University Press.

Bush, D. (1963) Mythology and the Renaissance tradition in English poetry. New rev. ed. New York: W.W. Norton.

Byron, G. (2003) Dramatic monologue. London: Routledge.

Came, Jean-Francois (1980) ‘Marvell’s Platonism in The Garden’, Cahiers Elisabethains: Etudes sur la Pre-Renaissance et la Renaissance Anglaises, pp. 71–75.

Candace Lines (2000) ‘“Secret Violence”: Becket, More, and the Scripting of Martyrdom’, Religion & Literature, 32(2), pp. 11–28. Available at: https://www.jstor.org/stable/40059864.

Capote, T. (1963) Selected writings. London: Hamish Hamilton.

Catherine Belsey (2001) ‘Tarquin Dispossessed: Expropriation and Consent in “The Rape of Lucrece”’, Shakespeare Quarterly, 52(3), pp. 315–335. Available at: https://ezproxy.bangor.ac.uk/login?url=http://www.jstor.org/stable/3648682.

Christine Berberich (2012) ‘Putting England Back on Top? Ian Fleming, James Bond, and the Question of England’, The Yearbook of English Studies, 42, pp. 13–29. Available at: https://ezproxy.bangor.ac.uk/login?url=http://www.jstor.org/stable/10.5699/yearenglstud.42.2012.0013.

Ciocia, S. (2000) ‘To Hell and Back: The Katabasis and the Impossibility of Epic in Derek        Walcott’s Omeros’, The Journal of Commonwealth Literature, 35(2), pp. 87–103. Available at: https://doi.org/10.1177/002198940003500207.

Clayton, B. (no date) A Penelopean poetics: reweaving the feminine in Homer’s Odyssey. Lanham, Md: Lexington Books. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=1340065.

Clingham, G. (1997) The Cambridge companion to Samuel Johnson. Cambridge: Cambridge University Press. Available at: https://doi.org/10.1017/CCOL052155411X.

Cohen, B. (1995) The distaff side: representing the female in Homer’s Odyssey. New York: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=272884.

Comentale, E.P., Watt, S. and Willman, S. (2005) Ian Fleming and James Bond: the cultural politics of 007. Bloomington: Indiana University Press.

Coupe, L. (1997) Myth. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=371019.

Cousins, A.D. (2000) Shakespeare’s sonnets and narrative poems. Harlow, England: Longman. Available at: http://bangor.eblib.com/patron/FullRecord.aspx?p=1746771.

Craig, H. (1955) English religious drama of the Middle Ages. Oxford: Clarendon Press.

‘Critical quarterly’ (no date). Available at: https://onlinelibrary-wiley-com.ezproxy.bangor.ac.uk/journal/14678705.

Culler, A.D. (1977) The poetry of Tennyson. New Haven: Yale University Press.

Dalby, A. (2007) Rediscovering Homer: inside the origins of the epic. New York: W.W. Norton.

Davidson, C. (1984) From Creation to Doom: the York cycle of mystery plays. New York: AMS Press.

Davidson, C. (no date) ‘Sacred blood and the late medieval stage’, Comparative Drama, 31(3), pp. 436–458. Available at: https://ezproxy.bangor.ac.uk/login?url=http://www.jstor.org/stable/41153875.

Dent, R.J. (2006) Myth. Cambridge: Vanguard Press.

Diller, H.-J. (1992) The Middle English mystery play: a study in dramatic speech and form. Cambridge: Cambridge University Press.

Du Maurier, D. (2003) My cousin Rachel. London: Virago.

Duggan, A. (2004) Thomas Becket. London: Arnold.

Dunn, D.E.S. and Conference on Recent Research in Fifteenth-Century History (1996) Courts, counties and the capital in the later Middle Ages. Stroud, Gloucestershire: Sutton.

Easterling, P.E. (1997a) The Cambridge companion to Greek tragedy. Cambridge, U.K.: Cambridge University Press. Available at: https://doi.org/10.1017/CCOL0521412455.

Easterling, P.E. (1997b) The Cambridge companion to Greek tragedy. Cambridge, U.K.: Cambridge University Press. Available at: https://doi.org/10.1017/CCOL0521412455.

Edna G. Sharoni (1972) ‘“Peace” and “Unbar the Door”: T. S. Eliot’s “Murder in the Cathedral” and Some Stoic Forebears’, Comparative Drama, 6(2), pp. 135–153. Available at: https://libkey.io/libraries/1613/10.1353/cdr.1972.0012.

Ehrenpreis, I., Patey, D.L. and Keegan, T. (no date) Augustan studies: essays in honor of Irvin Ehrenpreis. Newark: University of Delaware Press.

Eliot, T.S. (1965) Murder in the cathedral. Educational ed. London: Faber and Faber.

Elmarsafy, Z. and Bernard, A. (2013a) Debating Orientalism. Edited by D. Attwell. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=1249643.

Elmarsafy, Z. and Bernard, A. (2013b) Debating Orientalism. Edited by D. Attwell. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.

‘English literary renaissance’ (no date).

Fahy, T.R. (2011) Freak shows and the modern American imagination: constructing the damaged body from Willa Cather to Truman Capote. New York: Palgrave Macmillan.

Falck, C. (1989) Myth, truth, and literature: towards a true post-modernism. Cambridge: Cambridge University Press.

Farrell, Joseph (1997) ‘Walcott’s Omeros: The Classical Epic in a Postmodern World’, South Atlantic Quarterly, 96(2), pp. 247–273. Available at: https://repository.upenn.edu/classics_papers/149/.

Felson, N. (1997a) Regarding Penelope: from character to poetics. Norman: University of Oklahoma Press.

Felson, N. (1997b) Regarding Penelope: from character to poetics. Norman: University of Oklahoma Press.

Finch, G.J. (1989) ‘Reason, Imagination and Will in “Rasselas” and “The Vanity of Human Wishes”’, English, 38(162), pp. 195–209. Available at: https://doi.org/10.1093/english/38.162.195.

Fitch, J.G. (2008) Seneca. Oxford: Oxford University Press. Available at: http://Bangor.eblib.com/patron/FullRecord.aspx?p=415753.

Fleck, Richard F (1993) ‘Samuel Johnson’s Rasselas: A Perspective on Islam’, Weber Studies: An Interdisciplinary Humanities Journal. Available at: https://weberstudies.weber.edu/archive/archive%20B%20Vol.%2011-16.1/Vol.%2012.3/12.3Fleck.htm.

Fowler, R.L. (2004) The Cambridge companion to Homer. Cambridge, UK: Cambridge University Press. Available at: https://doi.org/10.1017/CCOL0521813026.

Garrison, E.P. (1995) Groaning tears: ethical and dramatic aspects of suicide in Greek tragedy. Leiden: Brill.

Garson, H.S. (1980) Truman Capote. New York: Ungar.

Gay, J. (1724) The Captives: A Tragedy. As It Is Acted At the Theatre-Royal In Drury-Lane, By His Majesty’s Servants. London: Printed for J. Tonson [etc.]. Available at: https://www.proquest.com/publication/2067858.

Guy, J.A. (2012) Thomas Becket: warrior, priest, rebel, victim : a 900-year-old story retold. London: Viking.

Hadfield, A. (2005) Shakespeare and republicanism. Cambridge: Cambridge University Press. Available at: http://Bangor.eblib.com/patron/FullRecord.aspx?p=239163.

Hall, E. (2012) The return of Ulysses: a cultural history of Homer’s Odyssey. Paperback edition. London: I.B. Tauris. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=676370.

Hamner, R.D. (no date) Epic of the dispossessed: Derek Walcott’s Omeros. Columbia: University of Missouri Press.

Happé, P. (1999) English drama before Shakespeare. London: Longman.

Hardie, P. (2002) The Cambridge Companion to Ovid. Cambridge: Cambridge University Press. Available at: https://ezproxy.bangor.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521772818.

Hardie, P.R. (2002) Ovid’s poetics of illusion. Cambridge: Cambridge University Press.

Harding, A.J. (1995) The reception of myth in English romanticism. Columbia: University of Missouri Press.

Harrison, R. (1997) Patricia Highsmith. New York: Twayne Publishers.

Hattaway, M. (2000) A companion to English Renaissance literature and culture. Oxford, UK: Blackwell. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=350871.

Healy, T. (1998) Andrew Marvell. London: Longman.

Heather Asals (1973) ‘Venus and Adonis: The Education of a Goddess’, Studies in English Literature, 1500-1900, 13(1), pp. 31–51. Available at: https://ezproxy.bangor.ac.uk/login?url=http://www.jstor.org/stable/449868.

Highsmith, P. (2016) The two faces of January. London: Virago.

Hirst, D. and Zwicker, S.N. (2010) The Cambridge companion to Andrew Marvell. Cambridge: Cambridge University Press. Available at: https://doi.org/10.1017/CCOL9780521884174.

Houliston, V. (1993) ‘St Thomas Becket in the Propaganda of the English Counter-Reformation’, Renaissance studies: journal of the Society for Renaissance Studies, 7(1), pp. 43–70. Available at: https://contentstore.cla.co.uk//secure/link?id=09cfd86f-d741-e611-80bd-0cc47a6bddeb.

Howe, E.A. (1996) The dramatic monologue. New York: Twayne Publishers.

Howells, C.A. (2006) The Cambridge companion to Margaret Atwood. Cambridge, UK: Cambridge University Press. Available at: https://ezproxy.bangor.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521839661.

Hughes, L.K. (2010) The Cambridge introduction to Victorian poetry. Cambridge: Cambridge University Press.

Hyland, P. (2003) An introduction to Shakespeare’s poems. New York: Palgrave Macmillan. Available at: http://Bangor.eblib.com/patron/FullRecord.aspx?p=296469.

Innes, C.D. (1992) Modern British drama, 1890-1990. Cambridge [England]: Cambridge University Press.

Isbell, H. and Ovid (1990) Heroides. London, England: Penguin Books.

J. Burke Severs (1945) ‘The Relationship between the Brome and Chester Plays of “Abraham and Isaac”’, Modern Philology, 42(3), pp. 137–151. Available at: https://ezproxy.bangor.ac.uk/login?url=http://www.jstor.org/stable/434516.

Jahan Ramazani (1997) ‘The Wound of History: Walcott’s Omeros and the Postcolonial Poetics of Affliction’, PMLA, 112(3), pp. 405–417. Available at: https://libkey.io/libraries/1613/10.2307/462949.

Jahn, J.D. (1970) ‘The Lamb of Lust: The Role of Adonis in Shakespeare’s Venus and Adonis’, Shakespeare studies, 6(11), pp. 11–25. Available at: https://contentstore.cla.co.uk/secure/link?id=f40a6ed2-c7a5-e611-80c7-005056af4099.

James, H. (1967) The Europeans: Washington Square. London: The Bodley Head. Available at: https://www.gutenberg.org/ebooks/179.

Jane O. Newman (1994) ‘“And Let Mild Women to Him Lose Their Mildness”: Philomela, Female Violence, and Shakespeare’s The Rape of Lucrece’, Shakespeare Quarterly, 45(3), pp. 304–326. Available at: https://ezproxy.bangor.ac.uk/login?url=http://www.jstor.org/stable/2871233.

Johnson, C.D. and Johnson, V.E. (2003) Understanding the Odyssey: a student casebook to issues, sources, and historic documents. Westport, Conn: Greenwood Press. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=496750.

Johnson, S. and Hardy, J.P. (1988) The history of Rasselas, Prince of Abissinia. Oxford: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=472144.

Johnston, A. (1964) Enchanted ground: the study of medieval romance in the eighteenth century. [London]: University of London, Athlone Press.

Jonson, B., Gifford, W. and Cunningham, F. (1816) ‘Pleasure Reconciled to Virtue’, in The works of Ben Jonson: with notes critical and explanatory, and a biographical memoir. London: Chatto and Windus. Available at: https://data.historicaltexts.jisc.ac.uk/view?pubId=bl-001900781-07&terms=%22Pleasure%20reconciled%20to%20Virtue%22&pageId=bl-001900781-07-662283-309.

Judith Dundas (1983) ‘Mocking the Mind: The Role of Art in Shakespeare’s Rape of Lucrece’, The Sixteenth Century Journal, 14(1), pp. 13–22. Available at: https://ezproxy.bangor.ac.uk/login?url=http://www.jstor.org/stable/2540164.

Jump, J.D. (1967) Tennyson: the critical heritage. London: Routledge & K. Paul.

Katharine Eisaman Maus (1986) ‘Taking Tropes Seriously: Language and Violence in Shakespeare’s Rape of Lucrece’, Shakespeare Quarterly, 37(1), pp. 66–82. Available at: https://ezproxy.bangor.ac.uk/login?url=http://www.jstor.org/stable/2870192.

Kaul, S. (2009) Eighteenth-century British literature and postcolonial studies. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=434305.

Kearns, E. and Price, S.R.F. (2003) The Oxford dictionary of classical myth and religion. Oxford: Oxford University Press.

Kerrigan, J. (1996) Revenge tragedy: Aeschylus to Armageddon. Oxford: Clarendon Press.

Kiernan, P. (1996) Shakespeare’s theory of drama. Cambridge: Cambridge University Press.

Kiser, Lisa J (2011) ‘The Animals in Chester’s Noah’s Flood’, Early Theatre: A Journal Associated with the Records of Early English Drama, 14(1), pp. 15–44.

Kohn, T.D. (2013) The dramaturgy of Senecan tragedy. Ann Arbor, Mich: University of Michigan Press.

Kolin, P.C. (1997) Venus and Adonis: critical essays. New York: Garland Pub. Available at: http://Bangor.eblib.com/patron/FullRecord.aspx?p=672451.

Korte, B. (2010) Facing the East in the West: Images of Eastern Europe in British Literature, Film and Culture. 1st edn. Amsterdam: Editions Rodopi. Available at: http://Bangor.eblib.com/patron/FullRecord.aspx?p=546589.

Kraut, R. (1992) The Cambridge companion to Plato. Cambridge: Cambridge University Press. Available at: https://doi.org/10.1017/9781108557795.

Kuchar, G. (no date) ‘Narrative and the Forms of Desire in Shakespeare’s Venus and Adonis’, Early Modern Literary Studies, 5(2), pp. 1–24.

Laity, C. and Gish, N.K. (2007) Gender, desire, and sexuality in T.S. Eliot. Reprint. Cambridge: Cambridge University Press. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=275177.

Leech, C. and Craik, T.W. (1975) The Revels history of drama in English. London: Methuen.

Leeming, D.A. (2014) The world of myth {an anthology}. New York: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=1100071.

Leslie Howard Martin (1973) ‘“Aureng-Zebe” and the Ritual of the Persian King’, Modern Philology, 71(2), pp. 169–171. Available at: https://www.jstor.org/stable/436217.

Lévi-Strauss, C. (2001) Myth and meaning. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=1579826.

Lewis, P.E. (2014) Eric Ambler: a literary biography. [California]: Creatspace Publishing.

Lincoln, B. (1999) Theorizing myth: narrative, ideology, and scholarship. Chicago: University of Chicago Press.

Lindner, C. (2003) The James Bond phenomenon: a critical reader. Manchester: Manchester University Press.

Long, E. (no date) The American dream and the popular novel. Boston: Routledge & K. Paul.

Luckhurst, M. (2006) A companion to modern British and Irish drama, 1880-2005. Malden, MA: Blackwell Pub. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=350880.

Lucy Gent (1974) ‘“Venus and Adonis”: The Triumph of Rhetoric’, The Modern Language Review, 69(4), pp. 721–729. Available at: https://ezproxy.bangor.ac.uk/login?url=http://www.jstor.org/stable/3725285.

Lycett, A. (2008) Ian Fleming. London: Phoenix.

Macfie, A.L. (2000a) Orientalism: a reader. Edinburgh: Edinburgh University Press.

Macfie, A.L. (2000b) Orientalism: a reader. Edinburgh: Edinburgh University Press.

Mastronarde, D.J. (2010a) The art of Euripides: dramatic technique and social context. Cambridge: Cambridge University Press. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=502484.

Mastronarde, D.J. (2010b) The art of Euripides: dramatic technique and social context. Cambridge: Cambridge University Press. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=502484.

Mawer, N. (no date) A critical study of the fiction of Patricia Highsmith--from the psychological to the political. Lewiston, N.Y.: Edwin Mellen Press.

McAdam, I. (2009) Magic and masculinity in early modern English drama. Pittsburgh, Pa: Duquesne University Press.

McDonald, M. and Walton, J.M. (2007) The Cambridge companion to Greek and Roman theatre. Cambridge: Cambridge University Press. Available at: https://doi.org/10.1017/CCOL9780521834568.

McDonald, M. and Walton, M. (2007) The Cambridge Companion to Greek and Roman Theatre. Cambridge: Cambridge University Press. Available at: https://doi.org/10.1017/CCOL9780521834568.

Meek, R. (2009) Narrating the visual in Shakespeare. Farnham, England: Ashgate.

Mills, David (1980) ‘The Doctor’s Epilogue to the Brome Abraham and Isaac: A Possible Analogue’, Leeds Studies in English, pp. 105–110. Available at: https://contentstore.cla.co.uk/secure/link?id=71648989-c2a5-e611-80c7-005056af4099.

Milton, J. (2015) Comus and other poems. Cambridge: University Press.

Mortimer, A.R. (2000) Variable passions: a reading of Shakespeare’s Venus and Adonis. New York: AMS Press.

Neuss, P. (1983) Aspects of early English drama. Cambridge: Brewer.

Newlin, K. (2013) The American dream. Ipswich, Massachusetts: Salem Press, a division of EBSCO Publishing. Available at: https://online.salempress.com/toc.do?bookMetaId=CIAmeriDream.

Nicoll, A. (1948) ‘Shakespeare survey’.

Norma Kroll (1987) ‘Equality and Hierarchy in the Chester Cycle Play of Man’s Fall’, The Journal of English and Germanic Philology, 86(2), pp. 175–198. Available at: https://ezproxy.bangor.ac.uk/login?url=http://www.jstor.org/stable/27709815.

Nussbaum, M.C. (1986) The fragility of goodness: luck and ethics in Greek tragedy and philosophy. Cambridge: Cambridge University Press.

O’Flaherty, P. (1970) ‘Dr. Johnson as Equivocator The Meaning of Rasselas’, Modern language quarterly, 31(2), pp. 195–208. Available at: https://doi.org/10.1215/00267929-31-2-195.

Omeros (no date). Available at: https://warwick.ac.uk/fac/arts/english/currentstudents/undergraduate/modules/fulllist/first/en101/omeros/.

OSMOND, R. (1974) ‘Body and Soul Dialogues in the Seventeenth Century’, English Literary Renaissance, 4(3), pp. 364–403. Available at: https://doi.org/10.1111/j.1475-6757.1974.tb01307.x.

Parrish, T. (ed.) (2013) The Cambridge companion to American novelists. Cambridge: Cambridge University Press. Available at: https://doi.org/10.1017/CCO9781139003780.

Peters, F. (2011) Anxiety and evil in the writings of Patricia Highsmith. Burlington, VT: Ashgate. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=688659.

Power, H. (no date) Homer’s ‘Odyssey’: a reading guide. Edinburgh: Edinburgh University Press.

Pratt, N.T. (1983) Seneca’s drama /cNorman T. Pratt. Chapel Hill: University of North Carolina Press.

Rabinowitz, N.S. (1993) Anxiety veiled: Euripides and the traffic in women. Ithaca: Cornell University Press.

Rebhorn, W.A. (1978) ‘Mother Venus: Temptation in Shakespeare’s Venus and Adonis’, Shakespeare studies, 11(1), pp. 1–19. Available at: https://contentstore.cla.co.uk/secure/link?id=cd872e70-c3a5-e611-80c7-005056af4099.

Reconstruction 9.2 (2009) (no date). Available at: http://reconstruction.eserver.org/Issues/092/dsmith.shtml.

Regan, S. (2012) Reading 1759: Literary Culture in Mid-Eighteenth-Century Britain and France. Lanham: Bucknell University Press. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=1053907.

Rehm, R. (1994a) Greek tragic theatre. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=179551.

Rehm, R. (1994b) Greek tragic theatre. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=179551.

Richardson, C. and Johnston, J. (1991) Medieval drama. Basingstoke: Macmillan.

Rieu, E.V., Rieu, D.C.H., and Homer (2003) The odyssey. London: Penguin Books. Available at: https://data.historicaltexts.jisc.ac.uk/view?pubId=ecco-0325400401.

Rivers, I. (1994) Classical and Christian ideas in English Renaissance poetry: a student’s guide. 2nd ed. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=179492.

Robert A. Segal (no date) Theorizing About Myth. University of Massachusetts Press.

Robert S. Newman (1970) ‘Irony and the Problem of Tone in Dryden’s Aureng-Zebe’, Studies in English Literature, 1500-1900, 10(3), pp. 439–458. Available at: https://libkey.io/libraries/1613/10.2307/449787.

Roberts, N. (2001) A companion to twentieth-century poetry. Oxford: Blackwell Publishers. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=351024.

Rous Rehak, L. (1963) ‘On the Use of Martyrs: Tennyson and Eliot on Thomas Becket’, University of Toronto quarterly, 33, pp. 43–60. Available at: https://libkey.io/libraries/1613/10.3138/utq.33.1.43.

Russell, F. (2000) Northrop Frye on myth. 1st pbk. ed. New York: Routledge.

Ruthven, K.K. (1976) Myth. London: Methuen.

S. Clark Hulse (1978) ‘Shakespeare’s Myth of Venus and Adonis’, PMLA, 93(1), pp. 95–105. Available at: https://ezproxy.bangor.ac.uk/login?url=http://www.jstor.org/stable/461823.

Said, E.W. (1995a) Orientalism. Reprinted with a new Afterword. Harmondsworth: Penguin.

Said, E.W. (1995b) Orientalism. Reprinted with a new Afterword. Harmondsworth: Penguin.

Sale, W. (1977a) Existentialism and Euripides: sickness, tragedy and divinity in the Medea, the Hippolytus and the Bacchae. Berwick, Australia: Aureal.

Sale, W. (1977b) Existentialism and Euripides: sickness, tragedy and divinity in the Medea, the Hippolytus and the Bacchae. Berwick, Australia: Aureal.

Samuel, I. (1947) Plato and Milton. Ithaca, N.Y.: Cornell university press.

Samuel, L.R. (2012) The American dream: a cultural history. 1st ed. Syracuse: Syracuse University Press.

Sara E. Quay (1995) ‘“Lucrece the chaste”: The Construction of Rape in Shakespeare’s “The Rape of Lucrece”’, Modern Language Studies, 25(2), pp. 3–17. Available at: https://ezproxy.bangor.ac.uk/login?url=http://www.jstor.org/stable/3195286.

SAVAGE, J.B. (1975) ‘Comus and Its Traditions’, English Literary Renaissance, 5(1), pp. 58–80. Available at: https://doi.org/10.1111/j.1475-6757.1975.tb01314.x.

Schein, S.L. (1996) Reading the Odyssey: selected interpretive essays. Princeton, N.J.: Princeton University Press.

Schell, Edgar (1994) ‘Fulfilling the Law in the Brome Abraham and Isaac’, Leeds Studies in English, pp. 149–158. Available at: http://digital.library.leeds.ac.uk/320/1/LSE_1994_pp149-158_Schell_article.pdf.

Scherwatzky, S. (1992) ‘Johnson, Rasselas, and the Politics of the Empire’, Eighteenth century life, 16(3), pp. 102–113. Available at: https://contentstore.cla.co.uk/secure/link?id=102ac053-c8a5-e611-80c7-005056af4099.

Seaton, J.Q. (1992) ‘“What have I offended unto thee?”: God as three‐in‐one in the Chester mystery cycle’, English Studies, 73(4), pp. 300–310. Available at: https://doi.org/10.1080/00138389208598815.

Segal, R.A. (2004) Myth: a very short introduction. Oxford: Oxford University Press.

Seneca, L.A. and Wilson, E.R. (2010) Six tragedies. Oxford: Oxford University Press. Available at: http://Bangor.eblib.com/patron/FullRecord.aspx?p=485724.

Shaughnessy, R. (2011) The Routledge guide to William Shakespeare. 1st ed. Abingdon: Routledge. Available at: http://bangor.eblib.com/patron/FullRecord.aspx?p=1020257.

Shawn Lisa Maurer (2005) ‘Fathers, Sons, and Lovers: The Transformation of Masculine Authority in Dryden’s “Aureng-Zebe”’, The Eighteenth Century, 46(2), pp. 151–173. Available at: https://www.jstor.org/stable/41467968.

Snyder, R.L. (2011) The Art of Indirection in British Espionage Fiction: A Critical Study of Six Novelists. Jefferson: McFarland & Company, Inc., Publishers. Available at: http://Bangor.eblib.com/patron/FullRecord.aspx?p=746579.

Spaas, L. and Stimpson, B. (1996) Robinson Crusoe: myths and metamorphoses. Houndmills, Basingstoke, Hampshire: Macmillan Press.

Staley, G.A. (2010) Seneca and the idea of tragedy. Oxford: Oxford University Press. Available at: http://Bangor.eblib.com/patron/FullRecord.aspx?p=472385.

Staunton, M. (2001) The lives of Thomas Becket. Manchester, UK: Manchester University Press. Available at: https://doi.org/10.7765/9781526112682.

Stevens, M. (no date) Four Middle English mystery cycles: textual, contextual, and critical interpretations. Princeton, N.J.: Princeton University Press.

Taylor, A.B. (2000) Shakespeare’s Ovid: the Metamorphoses in the plays and poems. Cambridge: Cambridge University Press.

‘Tears for Abraham: The Chester Play of Abraham and Isaac and Antisacrifice in Works by Wilfred Owen, Benjamin Britten, and Derek Jarman’ (2001) Journal of Medieval and Early Modern Studies, 31(3), pp. 445–476. Available at: https://ezproxy.bangor.ac.uk/login?url=http://muse.jhu.edu/journals/journal_of_medieval_and_early_modern_studies/v031/31.3frantzen.html.

The Cambridge companion to Shakespeare’s poetry (2007). Cambridge, UK: Cambridge University Press. Available at: http://universitypublishingonline.org.ezproxy.bangor.ac.uk/ref/id/companions/CBO9781139001274.

The fair jilt, or, The history of Prince Tarquin and Miranda written by Mrs. A. Behn (no date). Available at: http://whelf-bangor.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5775529230002422&institutionId=2422&customerId=2415.

Thomas, H.M. (2012) ‘Shame, Masculinity, and the Death of Thomas Becket’, Speculum, 87(04), pp. 1050–1088. Available at: https://doi.org/10.1017/S0038713412004186.

Thomas R. Preston (1969) ‘The Biblical Context of Johnson’s “Rasselas”’, PMLA, 84(2), pp. 274–281. Available at: https://libkey.io/libraries/1613/10.2307/1261284.

Thomas Rendall (1984) ‘Visual Typology in the Abraham and Isaac Plays’, Modern Philology, 81(3), pp. 221–232. Available at: https://ezproxy.bangor.ac.uk/login?url=http://www.jstor.org/stable/437266.

Toohey, P. (1992) Reading epic: an introduction to the ancient narratives. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=179136.

Tydeman, W. (1986) English medieval theatre, 1400-1500. London: Routledge & K. Paul.

Tynan, M. (2011) Postcolonial odysseys: Derek Walcott’s voyages of homecoming. Newcastle upon Tyne: Cambridge Scholars. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=1133241.

Vasileiou, M.R. (no date) ‘Violence, Visual Metaphor, and the “True” Lucrece’, Studies in English Literature 1500-1900, 51(1), pp. 47–63.

Vellacott, P. and Euripides (1963) Medea, and other plays: Medea, Hecabe, Electra, Heracles. [Baltimore]: Penguin Books. Available at: http://ezproxy.bangor.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=358737&site=ehost-live.

Vernant, J.P. and Vidal-Naquet, P. (1981) Tragedy and myth in ancient Greece. Brighton: Harvester.

Vickers, B. (1973a) Towards Greek tragedy: drama, myth, society. London: Longman.

Vickers, B. (1973b) Towards Greek tragedy: drama, myth, society. London: Longman.

Vittorio Frigerio (no date) ‘The Foreign Solution: The Role and Representation of the Foreigner in the Popular Novel’, Paradoxa: Studies in World Literary Genres, 5(13–14), pp. 303–323.

Walcott, D. (1990) Omeros. London: Faber and Faber.

Waldmeir, J.J. and Waldmeir, J.C. (1999) The critical response to Truman Capote. Westport, Conn: Greenwood Press.

Walker, S.F. (2002) Jung and the Jungians on myth: an introduction. 1st Routledge pbk. ed. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=1666847.

Walton, J.M. (1984) The Greek sense of theatre: tragedy reviewed. London: Methuen.

Whalen, B.E. (2011) Pilgrimage in the Middle Ages: a reader. Toronto: University of Toronto Press.

White, I. (1972) ‘On Rasselas’, The Cambridge Quarterly, VI(1), pp. 6–31. Available at: https://doi.org/10.1093/camqtly/VI.1.6.

Wilcher, R. and Marvell, A. (1985) Andrew Marvell. Cambridge [Cambridgeshire]: Cambridge University Press.

William Frost (1975) ‘“Aureng-Zebe” in Context: Dryden, Shakespeare, Milton, and Racine’, The Journal of English and Germanic Philology, 74(1), pp. 26–49. Available at: https://www.jstor.org/stable/27707826.

William P. Weaver (2008) ‘“O Teach Me How to Make Mine Own Excuse”: Forensic Performance in “Lucrece”’, Shakespeare Quarterly, 59(4), pp. 421–449. Available at: https://ezproxy.bangor.ac.uk/login?url=http://www.jstor.org/stable/40210298.

Wilson, E. (2009) Swamp angel. Toronto: McClelland & Stewart. Available at: https://ebookcentral.proquest.com/lib/bangor/detail.action?docID=6074428.

Wilson, J.R. (1968a) Twentieth century interpretations of Euripides’ Alcestis: a collection of critical essays. Englewood Cliffs, N.J.: Prentice-Hall.

Wilson, J.R. (1968b) Twentieth century interpretations of Euripides’ Alcestis: a collection of critical essays. Englewood Cliffs, N.J.: Prentice-Hall.

Zimmermann, B. (1991a) Greek tragedy: an introduction. Baltimore: Johns Hopkins University Press.

Zimmermann, B. (1991b) Greek tragedy: an introduction. Baltimore: Johns Hopkins University Press.

Zwicker, S.N. (2004) The Cambridge companion to John Dryden. Cambridge: Cambridge University Press. Available at: https://doi.org/10.1017/CCOL0521824273.